
When global bass music matriarch Mary Anne Hobbs recently told The Fader “Flying Lotus, for me, is like the Hendrix of his generation” it seemed more then an audacious opinion, and with the arrival of Cosmogramma, it’s revealed as a revelation. In the past couple of years, Flying Lotus has grown into the position of being far more than a producer, he has helped materialize a far-reaching strain of musical ideology that has encompassed not only a global family of like-minded artists, but also a nearly infinite palate of planetary (and interplanetary) sonics.
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A solo Dettmann album has been a long time coming: he’s one of the world’s most in-demand DJs, and his Berghain 02 CD one of the most talked-about mix CDs of the last half-decade. In 2007 he released the 2×12″ Blank Scenario, an excellent, agenda-setting collaboration with Ben Klock.
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The album was recorded in Los Angeles, New York and Canada, Jamie s fellow travelers on Compass include Beck, Feist, Gonzales, Chris Taylor of Grizzly Bear and Pat Sansone of Wilco. Musically and lyrically this is very much a Jamie Lidell Production—reflecting not only his exhilarating, diverse tastes, but also a year of change, love, longing and arrival at a new place.
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Prins Thomas is now intrinsically linked to the eclectic and often termed “cosmic-disco” sounds emanating from his homeland, Norway. Alongside Hans-Peter Lindstrøm their eponymous debut album and follow up II have opened up their tripped out sounds to a whole new audience of music lovers. Having already garnered international acclaim for his own DJing skills the world over and with a staggeringly impressive remix CV it comes as some surprise that after all that music and after all these years, Prins Thomas releases his debut solo album!
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Bleed, the first album by Paris-based cold-pop duo, aswefall, left an indelible mark when in appeared in 2005 on Kill the DJ, with enthusiastic reviews (Les Inrockuptibles, Libération, Nova, Magic, etc) and an advertising showcase (the track Between us was the Air France official theme-tune for four years).
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